![]() The announcement was made on Thursday by Malaysia’s Communications and Digital Minister Fahmi Fadzil following selection by the National Film Development Corporation (FINAS). ![]() The film had its debut in the Critics’ Week section of the Cannes film festival in May and was directed by first-time feature filmmaker Amanda Nell Eu. “Tiger Stripes,” a film that is partly a girl’s coming-of-age drama and partly a body horror picture, has been selected to represent Malaysia in the best international feature film section of the Academy Awards. ![]() It has yet to win the category.ĭir: Stephen Gerard Kelly, Garry Keane Malaysia: “Tiger Stripes” “Viva” was shortlisted in 2015 and last year “The Quiet Girl” scored a nomination. Ireland has been submitting to the category since 2007. The film is a co-production of Leonine Studios’ Gebrueder Beetz Filmproduktion, Cyprus Avenue Films, Abbout Productions, Hidden Light and ZDF, in association with Arte, and with the support of Screen Ireland. Stephen has been trusted to bring us up close and personal into the lives of these families, who are full of love as they try to live and survive, with the question of hope and human resilience at its core.” This raw storytelling on screen is delivered with such heart-breaking honesty. IFTA Academy CEO, Áine Moriarty said: “This is such an important film for a global audience to connect with. The film premiered at New Zealand’s Doc Edge Festival where it won several awards. It’s questionable whether filmmakers will see a virtuous circle of money flow this summer, which is critical to raising investment for next projects,” said Kim Dong-ha, a professor at Hansung University’s College of Future Convergence Social Science.It was selected by IFTA’s 2023 selection committee, including filmmaker Jim Sheridan (“My Left Foot”), producer Brian Falconer (“Derry Girls”), actor Cathy Belton (“Philomena”), writer-director Frank Berry (“Michael Inside”) and media executive Muirne Laffan. “It will become harder for the investors and distributors to make a profit if the current number of moviegoers shows a similar trend to August last year at 12.14 million visitors. “With the consecutive successes of creative K-content like ‘The Glory’ and ‘Squid Game,’ movies like ‘The Moon’ clearly show local audiences’ thirst for new subjects, and out-of-the -box creative scenes,” an industry insider said. Industry insiders point out that the success of homegrown blockbusters now heavily depend on a fresh, creative subject and unprecedented setting. “The Moon” attracted 483,834 moviegoers as of Monday, far short of its break even point of 60 million. A slew of Hollywood space survival flicks like “Gravity” (2013) and “Interstellar” (2014), has left moviegoers growing tired of the genre. The 28 million-won film's scale, meticulously detailed set design and sophisticated use of computer graphics combined was not in itself enough to excite the viewing public. Performing even worse at the box office is “The Moon,” which opened on the same day.Īs widely expected, this moon-themed Korean sci-fi flick repeated the earlier failures of “Space Sweepers” (2021), “Seo Bok” (2021) and “Jung_E” (2022). “Ransomed” attracted 981,488 moviegoers after its release on Aug. Despite the film’s exotic setting and action-packed storyline, “Ransomed” failed to overcome the jaded audiences’ disappointment in the all-too-familiar plot. ![]() “Ransomed,” set in Lebanon, stars the familiar duo of Ha Jung-woo and Ju Ji-hoon from “Along with the Gods,” this time playing men on a mission to rescue a fellow diplomat. Press reviews and viewer responses described a strong sense of deja vu in the plots, which undermined their big budgets and high production values. Meanwhile, two other summer films - “Ransomed” and “The Moon” - are box office bombs. The predictable, melodramatic conclusions of disaster flicks may also work against “Concrete Utopia,” but the unprecedented setting of the film seems ot be a draw. “Concrete Utopia” is based on a webtoon, which is a risk, since a lot of webtoon-inspired films have flopped here. On the first opening weekend, “Concrete Utopia” attracted 1.12 million moviegoers as of Sunday and looks set to break even, as the film, which has a similar budget to “Smugglers,” nears 4 million moviegoers. 103, the only building left standing after a devastating earthquake in Seoul. Following the success of “Smugglers” is director Um Tae-hwa’s “Concrete Utopia,” a dystopian thriller which tells a story of the residents of Hwanggung Apartment No.
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